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Requiem, KV 626: Benedictus (Emphasised voice and other voices)
Requiem, KV 626: Benedictus (Emphasised voice and other voices)
Choraloid
Stabat Mater: Stabat Mater (Emphasised voice and other voices)
Stabat Mater: Stabat Mater (Emphasised voice and other voices)
Choraloid
Choirs from "La Bohéme": La barriera d'Enfer (Lattivendole, paesane, soprano II - Emphasised voice and other voices)
Choirs from "La Bohéme": La barriera d'Enfer (Lattivendole, paesane, soprano II - Emphasised voice and other voices)
Choraloid
Choirs from "La Bohéme": Io pur mi sento in vena di gridar (Borghesi, soprano I - Emphasised voice and other voices)
Choirs from "La Bohéme": Io pur mi sento in vena di gridar (Borghesi, soprano I - Emphasised voice and other voices)
Choraloid
Choirs from "La Traviata": È sempre vincitore! (Soprano II - Voice with metronome)
Choirs from "La Traviata": È sempre vincitore! (Soprano II - Voice with metronome)
Choraloid
Choirs from "L'elisir d'amore": Atto II - Barcaruola a due voci- È qui il notaro (Tenor I - Emphasised voice and other voices)
Choirs from "L'elisir d'amore": Atto II - Barcaruola a due voci- È qui il notaro (Tenor I - Emphasised voice and other voices)
Choraloid
Missa solemnis, op. 123: Benedictus (bar 111 - 234) (Emphasised voice and other voices)
Missa solemnis, op. 123: Benedictus (bar 111 - 234) (Emphasised voice and other voices)
Choraloid
Choirs from "Cavalleria Rusticana": A voi tutti salute (Emphasised voice and other voices)
Choirs from "Cavalleria Rusticana": A voi tutti salute (Emphasised voice and other voices)
Choraloid
Choirs from "Carmen": Vivat, vivat le torero (tenor I) (Voice with metronome)
Choirs from "Carmen": Vivat, vivat le torero (tenor I) (Voice with metronome)
Choraloid
Choirs from "Carmen": Quant au douanier (soprano II) (Voice with metronome)
Choirs from "Carmen": Quant au douanier (soprano II) (Voice with metronome)
Choraloid

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