Nocturnes, L. 91: I. Nuages
Nocturnes, L. 91: I. Nuages
The Boston Symphony Orchestra
Nocturnes, L. 91: II. Fetes
Nocturnes, L. 91: II. Fetes
The Boston Symphony Orchestra
Symphony in D Minor: Allegretto
Symphony in D Minor: Allegretto
César-Auguste-Jean-Guillaume-Hubert Franck, Charles Münch, The Boston Symphony Orchestra
Symphony In D Minor - First Movement: Allegro Non Troppo
Symphony In D Minor - First Movement: Allegro Non Troppo
The Boston Symphony Orchestra
Symphony In D Minor - Second Movement: Allegretto
Symphony In D Minor - Second Movement: Allegretto
The Boston Symphony Orchestra
Symphony In D Minor - Third Movement: Allegro Non Troppo
Symphony In D Minor - Third Movement: Allegro Non Troppo
The Boston Symphony Orchestra
Nocturnes, L. 91: I. Nuages
Nocturnes, L. 91: I. Nuages
The Boston Symphony Orchestra, Women of the Berkshire Festival Chorus
Nocturnes, L. 91: I. Nuages
Nocturnes, L. 91: I. Nuages
The Boston Symphony Orchestra, Women of the Berkshire Festival Chorus
Nocturnes, L. 91: I. Nuages
Nocturnes, L. 91: I. Nuages
The Boston Symphony Orchestra, Women of the Berkshire Festival Chorus
Symphony in D Minor: II. Allegretto
Symphony in D Minor: II. Allegretto
The Boston Symphony Orchestra
Danny Boy: "Weatherly"
Danny Boy: "Weatherly"
Dan Beddoe, The Boston Symphony Orchestra, Pierre Monteux
Der Freischutz: "Through the Forest"
Der Freischutz: "Through the Forest"
Dan Beddoe, Pierre Monteux, The Boston Symphony Orchestra
Manfred Overture, Op. 115
Manfred Overture, Op. 115
Robert Schumann, Charles Münch, The Boston Symphony Orchestra
Capriccio Brillant in B Minor, Op. 22
Capriccio Brillant in B Minor, Op. 22
Gary Graffman, The Boston Symphony Orchestra, Felix Mendelssohn
The Tender Land: Act II, Finale
The Tender Land: Act II, Finale
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: VI. Shaker, Calm and flowing. Scenes of daily activity for the Bride and her Farmer husband.
Appalachian Spring: VI. Shaker, Calm and flowing. Scenes of daily activity for the Bride and her Farmer husband.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: VI. Very slowly (as at first). Transition scene to music reminiscent of the introduction.
Appalachian Spring: VI. Very slowly (as at first). Transition scene to music reminiscent of the introduction.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: II. Fast. Sudden burst of unison strings in A major arpeggios starts the action. A sentiment both elated and religious gives the keynote to this scene.
Appalachian Spring: II. Fast. Sudden burst of unison strings in A major arpeggios starts the action. A sentiment both elated and religious gives the keynote to this scene.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: VI. Shaker, Calm and flowing. Scenes of daily activity for the Bride and her Farmer husband.
Appalachian Spring: VI. Shaker, Calm and flowing. Scenes of daily activity for the Bride and her Farmer husband.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: I. Very slowly. Introduction of the characters, one by one, in a suffused light
Appalachian Spring: I. Very slowly. Introduction of the characters, one by one, in a suffused light
Aaron Copland, The Boston Symphony Orchestra
The Tender Land: Act II, The Party Scene
The Tender Land: Act II, The Party Scene
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: III. Moderate. Duo for the Bride and her Intended – scene of tenderness and passion.
Appalachian Spring: III. Moderate. Duo for the Bride and her Intended – scene of tenderness and passion.
Aaron Copland, The Boston Symphony Orchestra
The Tender Land: Act II, Finale
The Tender Land: Act II, Finale
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: IV. Quite fast. The Revivalist and his flock. Folksy feeling – suggestions of square dances and country fiddlers.
Appalachian Spring: IV. Quite fast. The Revivalist and his flock. Folksy feeling – suggestions of square dances and country fiddlers.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: VII Moderate. Coda. The Bride takes her place among her neighbors. At the end the couple are left "quiet and strong in their new house."
Appalachian Spring: VII Moderate. Coda. The Bride takes her place among her neighbors. At the end the couple are left "quiet and strong in their new house."
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: V. Still faster. Solo dance of the Bride – presentiment of motherhood. Extremes of joy and fear and wonder.
Appalachian Spring: V. Still faster. Solo dance of the Bride – presentiment of motherhood. Extremes of joy and fear and wonder.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: V. Still faster. Solo dance of the Bride – presentiment of motherhood. Extremes of joy and fear and wonder.
Appalachian Spring: V. Still faster. Solo dance of the Bride – presentiment of motherhood. Extremes of joy and fear and wonder.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: I. Very slowly. Introduction of the characters, one by one, in a suffused light
Appalachian Spring: I. Very slowly. Introduction of the characters, one by one, in a suffused light
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: VI. Very slowly (as at first). Transition scene to music reminiscent of the introduction.
Appalachian Spring: VI. Very slowly (as at first). Transition scene to music reminiscent of the introduction.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: II. Fast. Sudden burst of unison strings in A major arpeggios starts the action. A sentiment both elated and religious gives the keynote to this scene.
Appalachian Spring: II. Fast. Sudden burst of unison strings in A major arpeggios starts the action. A sentiment both elated and religious gives the keynote to this scene.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: IV. Quite fast. The Revivalist and his flock. Folksy feeling – suggestions of square dances and country fiddlers.
Appalachian Spring: IV. Quite fast. The Revivalist and his flock. Folksy feeling – suggestions of square dances and country fiddlers.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: VII Moderate. Coda. The Bride takes her place among her neighbors. At the end the couple are left "quiet and strong in their new house."
Appalachian Spring: VII Moderate. Coda. The Bride takes her place among her neighbors. At the end the couple are left "quiet and strong in their new house."
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring: III. Moderate. Duo for the Bride and her Intended – scene of tenderness and passion.
Appalachian Spring: III. Moderate. Duo for the Bride and her Intended – scene of tenderness and passion.
Aaron Copland, The Boston Symphony Orchestra
Appalachian Spring (Ballet for Martha)
Appalachian Spring (Ballet for Martha)
Aaron Copland, The Boston Symphony Orchestra
The Tender Land: Act I, Introduction and Love Music
The Tender Land: Act I, Introduction and Love Music
Aaron Copland, The Boston Symphony Orchestra
The Tender Land: Act I, Introduction and Love Music
The Tender Land: Act I, Introduction and Love Music
Aaron Copland, The Boston Symphony Orchestra
The Tender Land: Act II, The Party Scene
The Tender Land: Act II, The Party Scene
Aaron Copland, The Boston Symphony Orchestra
Introduction and Love Music (From "The Tender Land")
Introduction and Love Music (From "The Tender Land")
Aaron Copland, The Boston Symphony Orchestra
Party Scene, Finale: The Promise of Living (From "The Tender Land")
Party Scene, Finale: The Promise of Living (From "The Tender Land")
Aaron Copland, The Boston Symphony Orchestra
Franck: Symphony In D Minor: 3. Allegro Non Troppo
Franck: Symphony In D Minor: 3. Allegro Non Troppo
Charles Münch, The Boston Symphony Orchestra
Franck: Symphony In D Minor: 1. Lento - Allegro Non Troppo
Franck: Symphony In D Minor: 1. Lento - Allegro Non Troppo
Charles Münch, The Boston Symphony Orchestra
Franck: Symphony In D Minor: 2. Allegretto
Franck: Symphony In D Minor: 2. Allegretto
Charles Münch, The Boston Symphony Orchestra
Nocturnes, L. 91: III. Sirénes
Nocturnes, L. 91: III. Sirénes
The Boston Symphony Orchestra, Women of the Berkshire Festival Chorus
Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
The Boston Symphony Orchestra
Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
The Boston Symphony Orchestra
Leonore Overture No. 1, Op. 138
Leonore Overture No. 1, Op. 138
Ludwig van Beethoven, The Boston Symphony Orchestra, Charles Münch
Romeo & Juliet - Fantasy Overture
Romeo & Juliet - Fantasy Overture
Pyotr Ilyich Tchaikovsky, Charles Münch, The Boston Symphony Orchestra
Francesca da Rimini - Fantasy, Op. 32
Francesca da Rimini - Fantasy, Op. 32
Pyotr Ilyich Tchaikovsky, Charles Münch, The Boston Symphony Orchestra
Nocturnes, L. 91: III. Sirénes
Nocturnes, L. 91: III. Sirénes
The Boston Symphony Orchestra, Women Of The Berkshire Festival Chorus
Pictures At An Exhibition
Pictures At An Exhibition
The Boston Symphony Orchestra, Modest Mussorgsky, Sergey Joussevitzky
Capriccio Brillant in B Minor, Op. 22
Capriccio Brillant in B Minor, Op. 22
Gary Graffman, The Boston Symphony Orchestra
First Movement: Reveries; Passions
First Movement: Reveries; Passions
Charles Münch, The Boston Symphony Orchestra
Second Movement: A Ball
Second Movement: A Ball
Charles Münch, The Boston Symphony Orchestra
Fourth Movement: March to the Scaffold
Fourth Movement: March to the Scaffold
Charles Münch, The Boston Symphony Orchestra
Strauss: Divertimento, Op. 86 (after F. Couperin): 2. La Douce Janneton
Strauss: Divertimento, Op. 86 (after F. Couperin): 2. La Douce Janneton
The Boston Symphony Orchestra
Strauss: Divertimento, Op. 86 (after F. Couperin): 6. Le tours de passe-passe
Strauss: Divertimento, Op. 86 (after F. Couperin): 6. Le tours de passe-passe
The Boston Symphony Orchestra