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Colette
Colette
Thomas Adès
 Snow Globe
Snow Globe
Thomas Adès
 Asyla, Op. 17: I. First Movement
Asyla, Op. 17: I. First Movement
London Symphony Orchestra, Thomas Adès
 Darknesse Visible
Darknesse Visible
Thomas Adès
 Les Baricades Mistérieuses
Les Baricades Mistérieuses
Thomas Adès, Composers Ensemble, Stephen Johns
 From the Street 1. X. 1905, ‘Piano Sonata’:Předtucha (Foreboding)
From the Street 1. X. 1905, ‘Piano Sonata’:Předtucha (Foreboding)
Thomas Adès
 From the Street 1. X. 1905, ‘Piano Sonata’:Smrt (Death)
From the Street 1. X. 1905, ‘Piano Sonata’:Smrt (Death)
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Sýček neodletěl! [the Barn Owl has not Flown Away!]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Sýček neodletěl! [the Barn Owl has not Flown Away!]
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:V pláči [In Tears]
Po zarostlém chodníčku (On an Overgrown Path), Series I:V pláči [In Tears]
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Dobrou noc! [Good Night!]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Dobrou noc! [Good Night!]
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Pojďte s námi! [Come with Us!]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Pojďte s námi! [Come with Us!]
Thomas Adès
 V mlhách (In the Mists):Andantino
V mlhách (In the Mists):Andantino
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Naše večery [Our Evenings]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Naše večery [Our Evenings]
Thomas Adès
 V mlhách (In the Mists):Presto
V mlhách (In the Mists):Presto
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Štěbetaly jak laštovičky [They Chattered like Swallows]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Štěbetaly jak laštovičky [They Chattered like Swallows]
Thomas Adès
 V mlhách (In the Mists):Molto adagio
V mlhách (In the Mists):Molto adagio
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Lístek odvanutý [a Blown-Away Leaf]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Lístek odvanutý [a Blown-Away Leaf]
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series II:Allegretto [Presto]
Po zarostlém chodníčku (On an Overgrown Path), Series II:Allegretto [Presto]
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Nelze domluvit! [Words Fail!]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Nelze domluvit! [Words Fail!]
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series II:Andante
Po zarostlém chodníčku (On an Overgrown Path), Series II:Andante
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Frýdecká panna Maria [the Madonna of Frydek]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Frýdecká panna Maria [the Madonna of Frydek]
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series II:Allegro
Po zarostlém chodníčku (On an Overgrown Path), Series II:Allegro
Thomas Adès
 V mlhách (In the Mists):Andante
V mlhách (In the Mists):Andante
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series II:Più mosso
Po zarostlém chodníčku (On an Overgrown Path), Series II:Più mosso
Thomas Adès
 Po zarostlém chodníčku (On an Overgrown Path), Series I:Tak neskonale úzko [Unutterable Anguish]
Po zarostlém chodníčku (On an Overgrown Path), Series I:Tak neskonale úzko [Unutterable Anguish]
Thomas Adès
 Violin Concerto, Op. 23 "Concentric Paths":I. Rings
Violin Concerto, Op. 23 "Concentric Paths":I. Rings
Anthony Marwood, Chamber Orchestra of Europe, Stephen Johns, Thomas Adès
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Living Toys, Op.9 (1993):TABLET
Living Toys, Op.9 (1993):TABLET
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: Of course she's done well
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: Of course she's done well
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Living Toys, Op.9 (1993):V. Playing Funerals -
Living Toys, Op.9 (1993):V. Playing Funerals -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
 Violin Concerto, "Concentric Paths":III. Rounds
Violin Concerto, "Concentric Paths":III. Rounds
Anthony Marwood, Chamber Orchestra of Europe, Stephen Johns, Thomas Adès
 Souvenir
Souvenir
Thomas Adès, Chelsea Lane
 Violin Concerto, "Concentric Paths":II. Paths
Violin Concerto, "Concentric Paths":II. Paths
Anthony Marwood, Chamber Orchestra of Europe, Stephen Johns, Thomas Adès
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Is Daddy squiffy?
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Is Daddy squiffy?
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Under Hamelin Hill, Op. 6:Preambulum
Under Hamelin Hill, Op. 6:Preambulum
David Goode, Stephen Farr, Thomas Adès
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician)
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I:Overture (Orchestra)
Powder Her Face (an Opera in two acts) Op.14, ACT I:Overture (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Order. Silence
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Order. Silence
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: I see. This is what it has come to
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: I see. This is what it has come to
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Living Toys, Op.9 (1993):I. Angels -
Living Toys, Op.9 (1993):I. Angels -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: Interlude Fifty-eight, seventy-nine (Duchess)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: Interlude Fifty-eight, seventy-nine (Duchess)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: But now I have heard something new (Judge)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: But now I have heard something new (Judge)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Did she?...Of course she did (Rubberneckers)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Did she?...Of course she did (Rubberneckers)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3:Nineteen thirty-six: Interlude - Scene 4: Nineteen fifty-three ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest)
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3:Nineteen thirty-six: Interlude - Scene 4: Nineteen fifty-three ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3:Nineteen thirty-six: Fancy, fancy being rich (Waitress)
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3:Nineteen thirty-six: Fancy, fancy being rich (Waitress)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Are you saying the Duchess is a whore?
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Are you saying the Duchess is a whore?
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: Interlude (Orchestra)
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: Interlude (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress/Duke)
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress/Duke)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: So that is all (Duchess/Rubberneckers)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: So that is all (Duchess/Rubberneckers)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: I'd like to make one thing entirely clear
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: I'd like to make one thing entirely clear
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8:Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8:Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: Interlude (Orchestra)
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: Interlude (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8:Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager)
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8:Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
 Living Toys, Op.9 (1993):IV. H.A.L.'s Death -
Living Toys, Op.9 (1993):IV. H.A.L.'s Death -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason