Le carnaval des animaux, R 125:XIV. Finale
Le carnaval des animaux, R 125:XIV. Finale
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:IX. Le coucou au fond des bois
Le carnaval des animaux, R 125:IX. Le coucou au fond des bois
Sir John Gielgud, Academy of London, Richard Stamp
Peter and the Wolf, Op. 67
Peter and the Wolf, Op. 67
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:XIII. Le cygne
Le carnaval des animaux, R 125:XIII. Le cygne
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:V. L'éléphant
Le carnaval des animaux, R 125:V. L'éléphant
Sir John Gielgud, Academy of London, Richard Stamp
Sonnets: 18, 116, 130
Sonnets: 18, 116, 130
Sir John Gielgud
Ode to the West Wind: Stanzas 1 and 5
Ode to the West Wind: Stanzas 1 and 5
Sir John Gielgud
Sonnet 18: Shall I Compare Thee to a Summers Day?
Sonnet 18: Shall I Compare Thee to a Summers Day?
Sir John Gielgud
A Scandal in Bohemia
A Scandal in Bohemia
Sir John Gielgud, Sir Ralph Richardson
As You Like It: Act II, Scene 7
As You Like It: Act II, Scene 7
Sir John Gielgud
Le carnaval des animaux, R 125:VII. Aquarium
Le carnaval des animaux, R 125:VII. Aquarium
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:I. (b) Marche royale du lion
Le carnaval des animaux, R 125:I. (b) Marche royale du lion
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:XII. Fossiles
Le carnaval des animaux, R 125:XII. Fossiles
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:I. (a) Introduction
Le carnaval des animaux, R 125:I. (a) Introduction
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:III. Hémiones
Le carnaval des animaux, R 125:III. Hémiones
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:VI. Kangourous
Le carnaval des animaux, R 125:VI. Kangourous
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:II. Poules et coqs
Le carnaval des animaux, R 125:II. Poules et coqs
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:VIII. Personnages à longues oreilles
Le carnaval des animaux, R 125:VIII. Personnages à longues oreilles
Academy of London, Richard Stamp, Sir John Gielgud
The Importance of Being Earnest - Introductions to each act [discarded from original recording]:Introduction to Act I (music: Study in F sharp Op. 2 No. 6)
The Importance of Being Earnest - Introductions to each act [discarded from original recording]:Introduction to Act I (music: Study in F sharp Op. 2 No. 6)
Gerald Moore, anonymous, Sir John Gielgud, Walter Legge
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Charming day it has been, Miss Fairfax (Jack, Gwendolen)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Charming day it has been, Miss Fairfax (Jack, Gwendolen)
Dame Edith Evans, Sir John Gielgud
Le carnaval des animaux, R 125:X. Volière
Le carnaval des animaux, R 125:X. Volière
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:IV. Tortues
Le carnaval des animaux, R 125:IV. Tortues
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:XI. Pianistes
Le carnaval des animaux, R 125:XI. Pianistes
Academy of London, Richard Stamp, Sir John Gielgud
I Will Tell You Why:So Shall My Anticipation Prevent Your Discovery
I Will Tell You Why:So Shall My Anticipation Prevent Your Discovery
Sir John Gielgud
O,What a Rogue and Peasant Slave Am I !
O,What a Rogue and Peasant Slave Am I !
Sir John Gielgud
O,That This Too,Too Solid Flesh Would Melt
O,That This Too,Too Solid Flesh Would Melt
Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):How are you, my dear Ernest? (Algernon, Jack, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):How are you, my dear Ernest? (Algernon, Jack, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):You can take a seat, Mr Worthing (Lady Bracknell, Jack)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):You can take a seat, Mr Worthing (Lady Bracknell, Jack)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):[Mendelssohn: Wedding March]...Oh, do stop playing that ghastly tune, Algy! (Jack, Algernon, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):[Mendelssohn: Wedding March]...Oh, do stop playing that ghastly tune, Algy! (Jack, Algernon, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Old Mr Thomas Cardew, who adopted me (Jack, Algernon, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Old Mr Thomas Cardew, who adopted me (Jack, Algernon, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton):Dr Chasuble! This is indeed a pleasure (Miss Prism, Chasuble, Cecily)
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton):Dr Chasuble! This is indeed a pleasure (Miss Prism, Chasuble, Cecily)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton):Everything is quite ready for the christenings (Chasuble, Lady Bracknell, Jack)
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton):Everything is quite ready for the christenings (Chasuble, Lady Bracknell, Jack)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton):Cecily, Cecily! (Miss Prism, Cecily)
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton):Cecily, Cecily! (Miss Prism, Cecily)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Mr Worthing! Rise, sir, from this semi-recumbent posture (Lady Bracknell, Gwendolen)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Mr Worthing! Rise, sir, from this semi-recumbent posture (Lady Bracknell, Gwendolen)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Good afternoon, dear Algernon (Lady Bracknell, Algernon, Gwendolen, Jack, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Good afternoon, dear Algernon (Lady Bracknell, Algernon, Gwendolen, Jack, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Now to minor matters (Lady Bracknell, Jack)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Now to minor matters (Lady Bracknell, Jack)
Dame Edith Evans, Sir John Gielgud
To Be or Not to Be:That is the Question
To Be or Not to Be:That is the Question
Sir John Gielgud
King Lear: Act V, Scene 3
King Lear: Act V, Scene 3
Sir John Gielgud
Richard II: Act III, Scene 3 / Act IV, Scene 1
Richard II: Act III, Scene 3 / Act IV, Scene 1
Sir John Gielgud
The Tempest: Act III, Scene 2
The Tempest: Act III, Scene 2
Sir John Gielgud
Romeo And Juliet: Act !, Scene 4
Romeo And Juliet: Act !, Scene 4
Sir John Gielgud
Sonnets 18, 116, 130
Sonnets 18, 116, 130
Sir John Gielgud
Measure For Measure: Act III, Scene 1
Measure For Measure: Act III, Scene 1
Sir John Gielgud
Sonnets 138, 73
Sonnets 138, 73
Sir John Gielgud
As You Like It: Act II, Scene 7
As You Like It: Act II, Scene 7
Sir John Gielgud
Hamlet: Act II, Scene 2 / Act III, Scene 1 / Act V, Scene 2
Hamlet: Act II, Scene 2 / Act III, Scene 1 / Act V, Scene 2
Sir John Gielgud
Henry IV, Act 1: Scene 3
Henry IV, Act 1: Scene 3
Sir John Gielgud
The Tempest: Act IV, Scene 1 / Act V, Scene 1 / Epilogue
The Tempest: Act IV, Scene 1 / Act V, Scene 1 / Epilogue
Sir John Gielgud
O All You Host of Heaven!O Earth!What Else?
O All You Host of Heaven!O Earth!What Else?
Sir John Gielgud
Measure For Measure: Act II, Scene 2
Measure For Measure: Act II, Scene 2
Sir John Gielgud
The Merchant Of Venice: Act V, Scene 1
The Merchant Of Venice: Act V, Scene 1
Sir John Gielgud
Richard III: Act 1, Scene 4
Richard III: Act 1, Scene 4
Sir John Gielgud
What is He Whose Grief Bears Such an Emphasis?
What is He Whose Grief Bears Such an Emphasis?
Sir John Gielgud
How All Occasions do Inform Against Me
How All Occasions do Inform Against Me
Sir John Gielgud
Julius Caesar: Act II, Scene 2
Julius Caesar: Act II, Scene 2
Sir John Gielgud
Henry IV, Act III: Scene 1
Henry IV, Act III: Scene 1
Sir John Gielgud